
When I first started searching for our family’s weekend retreat on the Jersey Shore, I had visions of a coastal home that would become a major design project. As a designer, the prospect of a full renovation felt like the ultimate creative playground. My husband, however, had other ideas, and I couldn’t sell him on any property that required a complete gut renovation.
What we found instead led to something far more interesting: a lesson in sustainable luxury design that would become one of my most personally meaningful projects.
Our Manasquan cottage had been practically rebuilt from its 1950s foundations in 2014, meaning everything was still relatively new. As a proponent of sustainable design, I couldn’t justify ripping everything out. This constraint became my creative catalyst, proving that the most sophisticated spaces often emerge when we embrace what exists rather than starting from scratch.
The decision to work with our existing structure rather than pursue a complete renovation wasn’t just environmentally responsible; it sparked a level of creativity I hadn’t expected. Every choice had to be intentional, every intervention meaningful. When you’re deciding how to design a sophisticated beach house and can’t tear down walls, you’re forced to find beauty and function within the bones you’ve been given.
This approach aligns with my fundamental belief that great design should feel curated rather than decorated. The most compelling interiors tell stories that unfold over time, layering meaningful pieces with thoughtful restraint. Our Jersey Shore interior design project became a masterclass in this philosophy, where sustainability constraints led to more creative solutions than a blank slate ever could.
The existing layout of our coastal home presented interesting challenges. The second floor originally had five bedrooms but only two bathrooms—hardly practical for a family weekend home that needs to accommodate guests). Rather than a complete structural overhaul, I got creative with strategic interventions, merging two small bedrooms to create a junior suite with its own bathroom and walk-in closets. These surgical improvements maximized function while respecting the home’s existing framework.
Figuring out how to work with the home’s structure in these ways proved that sustainable coastal home renovation is not only possible, it yields impeccable results.

We use the house year-round, so I didn’t want it to scream “beach house.” Rather, I wanted to cultivate a year-round coastal design that incorporated sophisticated beach house decor and other modern, luxury design styles. To execute this vision, I channeled the essence of seaside living through sophisticated materials, curated art and an emphasis on indoor-outdoor flow rather than seashells, anchors and other nautical kitsch.
This approach stems from my love of English design sensibility; that wonderful contradiction between explosive maximalist elements and architectural strength. I find myself constantly exploring the juncture where pattern and restraint meet, where coastal casualness can coexist with refined sophistication.
When curating coastal luxury interior design strategies, the key is in the details: choosing a terrazzo dining table over distressed wood, incorporating custom millwork instead of rustic open shelving, and selecting steel doors that reference industrial coastal architecture rather than weathered barn wood were all intentional choices I made to give our Manasquan cottage an elevated, English coastal style.
Our living room is the perfect example of this philosophy. By completely redoing the fireplace with a surround from Chesneys and adding custom millwork library shelving, the room feels substantial and sophisticated while maintaining the relaxed comfort essential to shore living. Evenings are spent with a bevy of feet up on the custom ottoman covered in an Annabel Warp print fabric by Schumacher. In my mind, artisan beach house design must be elegant enough for Manhattan entertaining, yet durable enough for sandy beach days.

The difference between a decorated space and a designed space often comes down to the custom details. These elements can’t be purchased off the shelf, and instead must be thoughtfully conceived and expertly executed. For our Manasquan beach house design, these bespoke elements became the project’s defining features.
The dining room’s terrazzo oval table exemplifies this approach. I collaborated with artisan Robert Sukrachand to craft a piece from a single slab of terrazzo—it’s so substantial that four people were needed to install it! This table anchors the space with permanent elegance while supporting the flexible functionality we needed for both intimate family meals and larger entertaining.
Similarly, replacing the broken sliding doors with steel doors from Atelier Domingue transformed the room’s relationship with the outdoors. These aren’t just functional improvements; they’re design statements that elevate the entire space. The steel doors reference the industrial heritage of coastal architecture while creating seamless indoor-outdoor flow that’s essential to shore living.
The custom banquette in the dining area solves the particular challenge of coastal entertaining: accommodating varying numbers of guests while maintaining intimate scale. Combined with the plaster chandelier overhead, these elements create defined zones within the open-plan layout without sacrificing the airy quality that makes coastal luxury interior design so appealing.

One of the most frequent questions I receive about coastal design concerns pattern mixing: “How do you layer prints and textures without creating visual chaos?” The answer lies in understanding the difference between collected sophistication and decorative overload. In our guest bedroom, I combined Quadrille wallpaper with Elizabeth Eakins drapery, layering blues and reds to create a space that feels curated over time. The key is establishing a consistent color temperature while varying the scale and intensity of patterns. The large-scale wallpaper provides a confident backdrop, while smaller-scale patterns in the textiles add intimate detail without competing for attention.

This layering extends beyond traditional pattern mixing to include textural variety. The custom sectional in the family room combines fabric from Zak and Fox with Maya Romanoff wallpaper on adjacent walls, creating depth and interest through material contrast rather than competing patterns. The existing shiplap, which I chose to keep and refresh with soft gray-white paint, provides textural grounding that anchors the more decorative elements.

The true sophistication of coastal living emerges in the seamless connection between interior and exterior spaces. Our pool house transformation illustrates this principle perfectly. What began as a basic garage structure became a year-round studio that functions as a pool cabana, guest quarters and art studio for projects my son and I create together.

I clad the walls in whitewashed pine with plaster sconces from Rose Uniacke, creating a space that feels both whimsical and refined. The subtle shine on the ceiling comes from Callidus Guild wallpaper, while custom stools with Soane fabric provide flexible seating. These aren’t typical pool house materials, they’re the same quality of finishes and furnishings I’d specify for interior spaces.
Stylist Benjamin Reynaert, who worked with me on the project, described the pool house design as “a mix of Donald Judd and the English countryside.” I think that was the best compliment I’ve ever been paid! It perfectly captures the balance I’m always striving for, that beautiful contradiction between minimalist restraint and decorative delight.
The backyard now offers multiple entertaining areas, from intimate conversation zones to a large table for outdoor dining. This variety supports the natural rhythm of coastal living, where gatherings expand and contract based on tides, weather and mood. The key is creating infrastructure that supports spontaneous use while maintaining the same level of design consideration we’d apply to interior spaces.

The Manasquan project reinforced my conviction that sustainable design and luxury aren’t mutually exclusive; they’re complementary approaches that elevate each other. By working within existing constraints, we achieved results that feel more authentic and meaningful than a complete reconstruction would have provided.
This philosophy extends to our material choices and vendor relationships. I commissioned custom pieces from artisans like Adam Wallacavage, who created the octopus-shaped sconce in our powder room, and Studio Amos, who crafted the woven panels for the pool house vanity. These collaborations support craftspeople while creating unique elements that can’t be replicated or mass-produced.
The powder room itself exemplifies this approach. Rather than accepting the existing half-bath as adequate, I reimagined it as an opportunity for whimsical sophistication. The Galbraith and Paul wallpaper via Holland and Sherry provides a sophisticated backdrop for the custom sconce, while scalloped wall lights from Matilda Goad add architectural interest. These details transform a utilitarian space into a memorable design moment.

Creating sophisticated coastal spaces requires balancing multiple considerations: sustainability and luxury, functionality and beauty, collected personality and cohesive vision. The Manasquan beach house design project taught me that these apparent contradictions actually strengthen each other when thoughtfully resolved.
The house feels like a brownstone to me in that the lot is very long and narrow, allowing for little design moments as you progress through the rectilinear layout. I created a bar and buffet area on a 15th-century antique Spanish table, sourced artwork from Pocoapoco (an Oaxaca-based nonprofit) and used plaster lime wash to differentiate the stairwell from the first floor. These moments of discovery keep the relatively modest space feeling layered and interesting, and are a testament to sustainable coastal home renovation.
The key is approaching Jersey Shore interior design with the same level of consideration you’d apply to any sophisticated interior while remaining true to the relaxed lifestyle that draws us to the shore in the first place. This means choosing fabrics that can withstand sandy feet but look as elegant as their purely decorative counterparts (e.g., wools and cottons). It means selecting furniture that invites lounging but maintains proper proportions and refined details.

As designers, we often talk about creating spaces that feel “collected over time,” but rarely do we have the opportunity to live this process ourselves. The Manasquan house allowed me to experience firsthand how meaningful spaces evolve through layers of thoughtful decisions, rather than single moments of dramatic transformation.
The house is never entirely “done,” as I’m always revising and imagining little tweaks to areas. But it’s as done as it can be for now, and more importantly, it perfectly supports the life we want to live there. From quiet mornings with coffee on the steel door-framed terrace to elaborate dinner parties around the terrazzo table, every design decision enhances—rather than dictates—our family’s rhythms.
My personal investment in the outcome elevated every choice. When you’re designing for yourself, the temptation toward trends or dramatic gestures fades in favor of decisions that will age gracefully and support daily life beautifully. The result is a space that feels both sophisticated and deeply comfortable, the ultimate expression of livable art.
Transform your coastal home into a sophisticated retreat that works beautifully year-round. Contact Laura Krey Design to discuss your next project and discover how we can create a space that feels like livable art by the sea.
Contact Us to discuss your project and explore how Laura Krey Design can create a home that feels like livable art—where every detail has meaning and every room tells a story.
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